Though better known for his vision of cities and their emblems, Daido Moriyama is also a photographer of nudes. The nude, which has sporadically appeared in his work, remains an important catalyst for the rest of his prodigious output. With these rare images, he has revolutionised an art where innovation is problematic. His first series dates from 1969 and presents the nude in an original context; a dozen images, poorly developed, a woman without a face or identity, on a bed, the positions are natural, without makeup or pose, legs spread, buttocks raised, under the sheets or in the shower. Moments before, during and after sex.
The Da End Gallery will present for the first time this little known aspect of one of the most emblematic figures of contemporary photography. From the first series for the magazine Provoke (1969) (which enabled the young artist, Araki then working in advertising, to launch full time into photography), to the rethinking of the mythic Kagerou nudes («Mayfly», 1972), without forgetting the incredible erotic series he created for Playboy. In the fifty or so photographs exhibited, some of which are in black and white, some in colour, a monochrome colour the artist loves, are above all perfect erotic images.(Patrick Rémy)www.da-end.com/media/pdf/P_Re%CC%81my_e.pdf